情境題

[題組:第21-30題]25.

The Getty Center sits more than 800 feet above sea level, towering above the city of Los Angeles. A 0.75-mile-long tramway takes visitors to the top of the hill. At the top, four exhibit pavilions and a visitor center form the heart of an eleven-building complex. The museum was originally constructed to 21 the vast art collection belonging to oil tycoon J. Paul Getty. Today, it is stocked with so many art works that the exhibit arenas can show just a part of them at a time, making the 22 special exhibitions a highlight of any visit to the Getty.
The Center’s award-winning architect, Richard Meier, did an outstanding job of creating a public space that has 23 many visitors. Visitors go to the Getty thinking they are visiting a museum with works of art on the inside. What they discover instead is a work of art with a museum inside. The idea is interesting: The outdoor space can be a completely satisfying 24 experience.
Meier took a few basic 25 : metal, stone and glass. Working with a billion-dollar budget, he combined them to create a work of architecture that can excite visitors as much as the art collection inside does. Around every corner and at every 26 , there is a new view to enchant guests. And then, just when they think they have seen it all, a new fountain or landscape pops up.
The building stone is travertine, 27 from Italy, the same source as for the historic buildings in Rome. A special cutting process exposes the fossils long buried inside the stone, which reveals the delicate treasures 28 under the rough surface. Some of them are set as “feature” stones scattered about the site, waiting to 29 those who find them. The most fantastic one is on the arrival plaza wall, across from the tram station.
In addition to museum tours, the Getty also provides various free on-site tours, including tours of the gardens. These 30 are a must for anyone interested in learning more about Meier’s techniques and ideas.
(A) delight
(B) explorations (C) turn
(D) surprised
(E) imported
(F) over-emphasized
(G) artistic
(H) hidden ( I) foundations ( J ) materials
21.

[題組:第21-30題]26.

The Getty Center sits more than 800 feet above sea level, towering above the city of Los Angeles. A 0.75-mile-long tramway takes visitors to the top of the hill. At the top, four exhibit pavilions and a visitor center form the heart of an eleven-building complex. The museum was originally constructed to 21 the vast art collection belonging to oil tycoon J. Paul Getty. Today, it is stocked with so many art works that the exhibit arenas can show just a part of them at a time, making the 22 special exhibitions a highlight of any visit to the Getty.
The Center’s award-winning architect, Richard Meier, did an outstanding job of creating a public space that has 23 many visitors. Visitors go to the Getty thinking they are visiting a museum with works of art on the inside. What they discover instead is a work of art with a museum inside. The idea is interesting: The outdoor space can be a completely satisfying 24 experience.
Meier took a few basic 25 : metal, stone and glass. Working with a billion-dollar budget, he combined them to create a work of architecture that can excite visitors as much as the art collection inside does. Around every corner and at every 26 , there is a new view to enchant guests. And then, just when they think they have seen it all, a new fountain or landscape pops up.
The building stone is travertine, 27 from Italy, the same source as for the historic buildings in Rome. A special cutting process exposes the fossils long buried inside the stone, which reveals the delicate treasures 28 under the rough surface. Some of them are set as “feature” stones scattered about the site, waiting to 29 those who find them. The most fantastic one is on the arrival plaza wall, across from the tram station.
In addition to museum tours, the Getty also provides various free on-site tours, including tours of the gardens. These 30 are a must for anyone interested in learning more about Meier’s techniques and ideas.
(A) delight
(B) explorations (C) turn
(D) surprised
(E) imported
(F) over-emphasized
(G) artistic
(H) hidden ( I) foundations ( J ) materials
21.

[題組:第21-30題]27.

The Getty Center sits more than 800 feet above sea level, towering above the city of Los Angeles. A 0.75-mile-long tramway takes visitors to the top of the hill. At the top, four exhibit pavilions and a visitor center form the heart of an eleven-building complex. The museum was originally constructed to 21 the vast art collection belonging to oil tycoon J. Paul Getty. Today, it is stocked with so many art works that the exhibit arenas can show just a part of them at a time, making the 22 special exhibitions a highlight of any visit to the Getty.
The Center’s award-winning architect, Richard Meier, did an outstanding job of creating a public space that has 23 many visitors. Visitors go to the Getty thinking they are visiting a museum with works of art on the inside. What they discover instead is a work of art with a museum inside. The idea is interesting: The outdoor space can be a completely satisfying 24 experience.
Meier took a few basic 25 : metal, stone and glass. Working with a billion-dollar budget, he combined them to create a work of architecture that can excite visitors as much as the art collection inside does. Around every corner and at every 26 , there is a new view to enchant guests. And then, just when they think they have seen it all, a new fountain or landscape pops up.
The building stone is travertine, 27 from Italy, the same source as for the historic buildings in Rome. A special cutting process exposes the fossils long buried inside the stone, which reveals the delicate treasures 28 under the rough surface. Some of them are set as “feature” stones scattered about the site, waiting to 29 those who find them. The most fantastic one is on the arrival plaza wall, across from the tram station.
In addition to museum tours, the Getty also provides various free on-site tours, including tours of the gardens. These 30 are a must for anyone interested in learning more about Meier’s techniques and ideas.
(A) delight
(B) explorations (C) turn
(D) surprised
(E) imported
(F) over-emphasized
(G) artistic
(H) hidden ( I) foundations ( J ) materials
21.

[題組:第21-30題]28.

The Getty Center sits more than 800 feet above sea level, towering above the city of Los Angeles. A 0.75-mile-long tramway takes visitors to the top of the hill. At the top, four exhibit pavilions and a visitor center form the heart of an eleven-building complex. The museum was originally constructed to 21 the vast art collection belonging to oil tycoon J. Paul Getty. Today, it is stocked with so many art works that the exhibit arenas can show just a part of them at a time, making the 22 special exhibitions a highlight of any visit to the Getty.
The Center’s award-winning architect, Richard Meier, did an outstanding job of creating a public space that has 23 many visitors. Visitors go to the Getty thinking they are visiting a museum with works of art on the inside. What they discover instead is a work of art with a museum inside. The idea is interesting: The outdoor space can be a completely satisfying 24 experience.
Meier took a few basic 25 : metal, stone and glass. Working with a billion-dollar budget, he combined them to create a work of architecture that can excite visitors as much as the art collection inside does. Around every corner and at every 26 , there is a new view to enchant guests. And then, just when they think they have seen it all, a new fountain or landscape pops up.
The building stone is travertine, 27 from Italy, the same source as for the historic buildings in Rome. A special cutting process exposes the fossils long buried inside the stone, which reveals the delicate treasures 28 under the rough surface. Some of them are set as “feature” stones scattered about the site, waiting to 29 those who find them. The most fantastic one is on the arrival plaza wall, across from the tram station.
In addition to museum tours, the Getty also provides various free on-site tours, including tours of the gardens. These 30 are a must for anyone interested in learning more about Meier’s techniques and ideas.
(A) delight
(B) explorations (C) turn
(D) surprised
(E) imported
(F) over-emphasized
(G) artistic
(H) hidden ( I) foundations ( J ) materials
21.

[題組:第21-30題]29.

The Getty Center sits more than 800 feet above sea level, towering above the city of Los Angeles. A 0.75-mile-long tramway takes visitors to the top of the hill. At the top, four exhibit pavilions and a visitor center form the heart of an eleven-building complex. The museum was originally constructed to 21 the vast art collection belonging to oil tycoon J. Paul Getty. Today, it is stocked with so many art works that the exhibit arenas can show just a part of them at a time, making the 22 special exhibitions a highlight of any visit to the Getty.
The Center’s award-winning architect, Richard Meier, did an outstanding job of creating a public space that has 23 many visitors. Visitors go to the Getty thinking they are visiting a museum with works of art on the inside. What they discover instead is a work of art with a museum inside. The idea is interesting: The outdoor space can be a completely satisfying 24 experience.
Meier took a few basic 25 : metal, stone and glass. Working with a billion-dollar budget, he combined them to create a work of architecture that can excite visitors as much as the art collection inside does. Around every corner and at every 26 , there is a new view to enchant guests. And then, just when they think they have seen it all, a new fountain or landscape pops up.
The building stone is travertine, 27 from Italy, the same source as for the historic buildings in Rome. A special cutting process exposes the fossils long buried inside the stone, which reveals the delicate treasures 28 under the rough surface. Some of them are set as “feature” stones scattered about the site, waiting to 29 those who find them. The most fantastic one is on the arrival plaza wall, across from the tram station.
In addition to museum tours, the Getty also provides various free on-site tours, including tours of the gardens. These 30 are a must for anyone interested in learning more about Meier’s techniques and ideas.
(A) delight
(B) explorations (C) turn
(D) surprised
(E) imported
(F) over-emphasized
(G) artistic
(H) hidden ( I) foundations ( J ) materials
21.

[題組:第21-30題]30.

The Getty Center sits more than 800 feet above sea level, towering above the city of Los Angeles. A 0.75-mile-long tramway takes visitors to the top of the hill. At the top, four exhibit pavilions and a visitor center form the heart of an eleven-building complex. The museum was originally constructed to 21 the vast art collection belonging to oil tycoon J. Paul Getty. Today, it is stocked with so many art works that the exhibit arenas can show just a part of them at a time, making the 22 special exhibitions a highlight of any visit to the Getty.
The Center’s award-winning architect, Richard Meier, did an outstanding job of creating a public space that has 23 many visitors. Visitors go to the Getty thinking they are visiting a museum with works of art on the inside. What they discover instead is a work of art with a museum inside. The idea is interesting: The outdoor space can be a completely satisfying 24 experience.
Meier took a few basic 25 : metal, stone and glass. Working with a billion-dollar budget, he combined them to create a work of architecture that can excite visitors as much as the art collection inside does. Around every corner and at every 26 , there is a new view to enchant guests. And then, just when they think they have seen it all, a new fountain or landscape pops up.
The building stone is travertine, 27 from Italy, the same source as for the historic buildings in Rome. A special cutting process exposes the fossils long buried inside the stone, which reveals the delicate treasures 28 under the rough surface. Some of them are set as “feature” stones scattered about the site, waiting to 29 those who find them. The most fantastic one is on the arrival plaza wall, across from the tram station.
In addition to museum tours, the Getty also provides various free on-site tours, including tours of the gardens. These 30 are a must for anyone interested in learning more about Meier’s techniques and ideas.
(A) delight
(B) explorations (C) turn
(D) surprised
(E) imported
(F) over-emphasized
(G) artistic
(H) hidden ( I) foundations ( J ) materials
21.

[題組:第31-35題]Copernicus, founder of modern astronomy, was born in 1473 to a well-to-do merchant family in Torun, Poland. He was sent off to attend university in Italy, studying mathematics and optics, and canon law. Returning from his studies abroad, Copernicus was appointed to an administrative position in the cathedral of Frauenburg. There he spent a sheltered and academic life for the rest of his days.
31 He made his observations from a tower situated on the protective wall around the cathedral. His observations were made with the “bare eyeball,” so to speak, as a hundred years were to pass before the invention of the telescope. In 1530, Copernicus completed his famous work De Revolutionibus, which later played a major role in changing the philosophical view of humankind’s place in the universe. 32
Copernicus died in 1543 and was never to know what a stir his work would cause. In his book, he asserted that the Earth rotated on its axis once daily and traveled around the Sun once yearly. 33 People then regarded the Earth as stationary, situated at the center of the universe, with the Sun and all the planets revolving around it. Copernicus’ theory challenged the long-held belief that God created the Heavens and the Earth, and could overturn the core values of the Catholic world. 34 Other ministers quickly followed suit, saying of Copernicus, “This fool wants to turn the whole art of astronomy upside down.”
Ironically, Copernicus had dedicated his work to Pope Paul III. 35 The Church ultimately banned De Revolutionibus, and the book remained on the list of forbidden reading material for nearly three centuries thereafter.
(A) Meanwhile, Copernicus was a lifelong member of the Catholic Church.
(B) The book, however, wasn’t published until two months before his death.
(C) If this act was an attempt to seek the Catholic Church’s approval, it was of no use.
(D) This went against the philosophical and religious beliefs held during medieval times.
(E) Religious leader Martin Luther voiced his opposition to the sun-centered system model.
(F) In his spare time, Copernicus studied the stars and the planets, applying his math knowledge to the mysteries of the night sky.

[題組:第31-35題]32.

Copernicus, founder of modern astronomy, was born in 1473 to a well-to-do merchant family in Torun, Poland. He was sent off to attend university in Italy, studying mathematics and optics, and canon law. Returning from his studies abroad, Copernicus was appointed to an administrative position in the cathedral of Frauenburg. There he spent a sheltered and academic life for the rest of his days.
31 He made his observations from a tower situated on the protective wall around the cathedral. His observations were made with the “bare eyeball,” so to speak, as a hundred years were to pass before the invention of the telescope. In 1530, Copernicus completed his famous work De Revolutionibus, which later played a major role in changing the philosophical view of humankind’s place in the universe. 32
Copernicus died in 1543 and was never to know what a stir his work would cause. In his book, he asserted that the Earth rotated on its axis once daily and traveled around the Sun once yearly. 33 People then regarded the Earth as stationary, situated at the center of the universe, with the Sun and all the planets revolving around it. Copernicus’ theory challenged the long-held belief that God created the Heavens and the Earth, and could overturn the core values of the Catholic world. 34 Other ministers quickly followed suit, saying of Copernicus, “This fool wants to turn the whole art of astronomy upside down.”
Ironically, Copernicus had dedicated his work to Pope Paul III. 35 The Church ultimately banned De Revolutionibus, and the book remained on the list of forbidden reading material for nearly three centuries thereafter.
(A) Meanwhile, Copernicus was a lifelong member of the Catholic Church.
(B) The book, however, wasn’t published until two months before his death.
(C) If this act was an attempt to seek the Catholic Church’s approval, it was of no use.
(D) This went against the philosophical and religious beliefs held during medieval times.
(E) Religious leader Martin Luther voiced his opposition to the sun-centered system model.
(F) In his spare time, Copernicus studied the stars and the planets, applying his math knowledge to the mysteries of the night sky.

[題組:第31-35題]33.

Copernicus, founder of modern astronomy, was born in 1473 to a well-to-do merchant family in Torun, Poland. He was sent off to attend university in Italy, studying mathematics and optics, and canon law. Returning from his studies abroad, Copernicus was appointed to an administrative position in the cathedral of Frauenburg. There he spent a sheltered and academic life for the rest of his days.
31 He made his observations from a tower situated on the protective wall around the cathedral. His observations were made with the “bare eyeball,” so to speak, as a hundred years were to pass before the invention of the telescope. In 1530, Copernicus completed his famous work De Revolutionibus, which later played a major role in changing the philosophical view of humankind’s place in the universe. 32
Copernicus died in 1543 and was never to know what a stir his work would cause. In his book, he asserted that the Earth rotated on its axis once daily and traveled around the Sun once yearly. 33 People then regarded the Earth as stationary, situated at the center of the universe, with the Sun and all the planets revolving around it. Copernicus’ theory challenged the long-held belief that God created the Heavens and the Earth, and could overturn the core values of the Catholic world. 34 Other ministers quickly followed suit, saying of Copernicus, “This fool wants to turn the whole art of astronomy upside down.”
Ironically, Copernicus had dedicated his work to Pope Paul III. 35 The Church ultimately banned De Revolutionibus, and the book remained on the list of forbidden reading material for nearly three centuries thereafter.
(A) Meanwhile, Copernicus was a lifelong member of the Catholic Church.
(B) The book, however, wasn’t published until two months before his death.
(C) If this act was an attempt to seek the Catholic Church’s approval, it was of no use.
(D) This went against the philosophical and religious beliefs held during medieval times.
(E) Religious leader Martin Luther voiced his opposition to the sun-centered system model.
(F) In his spare time, Copernicus studied the stars and the planets, applying his math knowledge to the mysteries of the night sky.

[題組:第31-35題]34.

Copernicus, founder of modern astronomy, was born in 1473 to a well-to-do merchant family in Torun, Poland. He was sent off to attend university in Italy, studying mathematics and optics, and canon law. Returning from his studies abroad, Copernicus was appointed to an administrative position in the cathedral of Frauenburg. There he spent a sheltered and academic life for the rest of his days.
31 He made his observations from a tower situated on the protective wall around the cathedral. His observations were made with the “bare eyeball,” so to speak, as a hundred years were to pass before the invention of the telescope. In 1530, Copernicus completed his famous work De Revolutionibus, which later played a major role in changing the philosophical view of humankind’s place in the universe. 32
Copernicus died in 1543 and was never to know what a stir his work would cause. In his book, he asserted that the Earth rotated on its axis once daily and traveled around the Sun once yearly. 33 People then regarded the Earth as stationary, situated at the center of the universe, with the Sun and all the planets revolving around it. Copernicus’ theory challenged the long-held belief that God created the Heavens and the Earth, and could overturn the core values of the Catholic world. 34 Other ministers quickly followed suit, saying of Copernicus, “This fool wants to turn the whole art of astronomy upside down.”
Ironically, Copernicus had dedicated his work to Pope Paul III. 35 The Church ultimately banned De Revolutionibus, and the book remained on the list of forbidden reading material for nearly three centuries thereafter.
(A) Meanwhile, Copernicus was a lifelong member of the Catholic Church.
(B) The book, however, wasn’t published until two months before his death.
(C) If this act was an attempt to seek the Catholic Church’s approval, it was of no use.
(D) This went against the philosophical and religious beliefs held during medieval times.
(E) Religious leader Martin Luther voiced his opposition to the sun-centered system model.
(F) In his spare time, Copernicus studied the stars and the planets, applying his math knowledge to the mysteries of the night sky.